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I love, love, LOVE Silvaner from Franken, but this set largely falls short of expectations. (Continue reading here.)
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I love, love, LOVE Silvaner from Franken, but this set largely falls short of expectations. (Continue reading here.)
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Finishing up with Franken Rieslings — so many wonderful wines, so hard to obtain. (Continue reading here.)
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Finishing up the Pfalz Rieslings — not as consistently strong as 2021, but plenty of outstanding wines. (Continue reading here.)
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As we move south towards the French border, notable here is the Schäwer vineyard, a very rare occurrence of slate in the Pfalz. (Continue reading here.)
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Moving to the southern portion of the middle Pfalz, the quality remains high from these two superb producers. (Continue reading here.)
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Immediately south from Deidesheim, there’s still plenty more of outstanding quality. (Continue reading here.)
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If Forst is the Vosne-Romanée of the Pfalz, Deidesheim is the Chambolle-Musigny with the emphasis more on elegance. Deidesheim is also one of the most beautiful wine towns I have been to in well-over forty years of such wine visits.(Continue reading here.)
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Kirchenstück is for me the greatest Riesling vineyard in the Pfalz, if not all of Germany. But just as Romanée-Conti is not always the greatest wine of a given vintage in Burgundy, so that is not always the case with Kirchenstück. But there is high quality, nonetheless. (Continue reading here.)
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Great wines here. Especially notable are the wines from von Buhl which, across the board, were outstanding to great in 2021. The years of the overly-reductive style are becoming a distant memory. (Continue reading here.)
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This set kicks off the dazzling tour of the great vineyards of Forst, the Vosne-Romanée of the Pfalz. (Continue reading here.)
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We move now to the northern part of the Weinstrasse which produced successful wines. (Continue reading here.)
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As up around Bingen, here there is a difference in political boundaries but not in terroir. (Continue reading here.)
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Groebe and Wittmann are two of my favorite Riesling producers from anywhere. Alas, Klaus Peter Keller is no longer showing his wines at this tasting — it was always fascinating to compare the three greats. (Continue reading here.)
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Unevenness of the Roter Hang is less marked with this set of wines, but still, the Pettenthal from Kühling-Gillot was a disappointment. (Continue reading here.)
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Good results from Siefersheim, but then moving down to the Roter Hang (Nackenheim and Nierstein), the results are much more mixed, clearly reflecting difficult conditions. (Continue reading here.)
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With this set, we transition to Rheinhessen, although here it is a political boundary only and not one of major terroir difference — the Nahe River in fact flows into the Rhein at Bingen, and Kruger-Rumpf and Prinz Salm have vineyards in both the Nahe and Rheinhessen by virtue of their Bingen holdings. (Continue reading here.)
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Outstanding wines from Diel and Schäfer, somewhat disappointing ones from Kruger Rumpf. (Continue reading here.)
Continuing from the area in the previous post, just a little down river, the quality remains high. (Continue reading here.)
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It’s just pure joy tasting through wines such as these. (Continue reading here.)
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The Nahe VDP is endowed with such a great set of producers, and here are four producing at a very high level. (Continue reading here.)
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Finishing up the Rheingau Riesling GG’s with a magnificent set. (Continue reading here.)
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Some excellent wines here, and a few disappointments. (Continue reading here.)
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This selection is an excellent example of the high-quality wines coming out of the Rheingau these days. 2021 or 2022, take your pick. (Continue reading here.)
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Continuing with Hattenheim, the quality of 2021 continues, and Prinz has a super 2022 Nussbrunnen. (Continue reading here.)
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Mostly Wisselbrunnen here, and the terroir really comes through. (Continue reading here.)
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When the producers presenting their wines are Barth, Kühn, Prinz, and Weil, you expect only the best . . . and that’s what you get. (Continue reading here.)
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If you want to see evidence that great Rheingau vineyards that had been languishing are flourishing in new hands, check out the Marcobrunn and Hohenrain GG’s below that now are coming from Künstler and von Oetinger (Jung and Kloster Eberbach have long been making very good wines from those vineyards). (Continue reading here.)
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In some quarters, the Rheingau’s reputation is unjustly demeaned by persons who think of early efforts in the 1980s and early 1990s to make dry wines (that were brutal because they were too dry) and because of some large estates that were underproducing. In the former case, the wines are now very well-balanced; and in the latter case, to a large extent, those estates don’t exist any more and the vines have been taken over by some of the top Rheingau estates.
As I indicated in an earlier post, the Rheingau VDP chapter has adopted a rule allowing producers to show their GG in the year following harvest, but they can only sell them beginning September 1 of the second year following harvest. So the 2021s are just coming to market now. (Continue reading here.)
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Mittelrhein is a region that even many German wine fans don’t know exist. There’s not a lot of wine here, but it can be very good. (Continue reading here.)
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Heymann-Löwenstein is quite far down the Mosel River, only a few kilometers before you reach Koblenz, the city where the Mosel empties into the Rhein. These are successful wines across the board. Continue reading here.)
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A frankly uninspiring set of wines. One hardly expected wines from Lösnich and Kinheim to show better than those from Erden, Ürzig, and Wehlen. (Continue reading here.)
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As we continue down the Mosel River, these are good wines, but not up to some other recent vintages from these producers. (Continue reading here.)
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The unevenness of the vintage is evident in this set of wines. I was particularly disappointed in the Grans-Fassian wines (see also the Laurentiuslay in the previous post) — it’s a producer where I’ve had good results in the past (Continue reading here.)
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A transitional group of wines: finishing the Saar, a quick peek at Ruwer, and then beginning the Mosel. (Continue reading here.)
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The GG’s from Wiltingen, mostly Scharzhofberger, generally show well, even if the vintage is not one of the best in recent years. (Continue reading here.)
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Here we begin to get the quality and consistency one expects from the Saar. (Continue reading here.)
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Right from the get-go, we see the unevenness and the disappointing aspects of the 2022 vintage, with several Saar producers falling short of expectations, but Schloss Saarstein coming through with a winner. And von Othegraven provides the contract of the outstanding 2021 vintage. (Continue reading here.)